This was going to be a series of work in progress posts, but since it all progressed rather quickly and to a deadline, and injuring my wrist at rehearsal a couple of weeks ago made typing difficult, it’s ended up as a fait-accompli post instead!
I’ve been rehearsing over the last few months for a production of Made in Dagenham. It’s set in the 1960’s and is based on the true story of the women workers of the Ford factory in Dagenham who went on strike for equal pay. It’s a fun show with great music and of course it requires lots of great costumes in keeping with the 60s era. My character in particular needs several different outfits and since the wardrobe mistress has her hands full costuming everyone else, I offered to have a crack at making a dress for myself.
I’ve never really sewn a garment on my own from scratch before. I did a bit of dressmaking as a teenager, though only simple skirts, and always under the tutelage of my mum. My mum and I also worked together to make my wedding dress several years ago. I’ve wanted to have a go at something a bit more ambitious ever since I got a sewing machine for Christmas a couple of years ago, but until now had only ever done simple mending jobs, or basic projects like my crochet hook roll and Pumpkin’s pencil case.
So, after a little bit of procrastinatory research, I decided the only this to do was to bite the bullet and throw myself into it. A trip to the local fabric store and I was equipped with pattern, fabric, lining material and a zip.
I was a good girl and put the fabric straight into the washing machine when I got home. Then read the pattern properly and realised I would need a few other things. Cue another hasty trip to a different haberdashery shop for interfacing, carbon paper, tracing wheel and a rotary cutter.
Since I was between sizes, I had a go at grading the pattern out at the waist and further at the hips. I made a toile out of the lining fabric to begin with to check the fit and ended up adjusting the grading a fair bit. The red line above shows my first attempt.
I spent a long time laying the pattern out and tracing it using the carbon paper and wheel. I still took a big deep breath before I started cutting it. (Rotary cutting wheels are awesome by the way!) There were quite a lot of moments throughout the project where I found myself starting to question each new step and whether I was doing it right or was going to risk messing up what I’d already done. I just told myself to suck it up and get on with it. I’m not always very good at doing that. Often projects sit and linger when I can’t quite bring myself to do the next step for fear of messing up.
Once I was happy with the toile I moved onto the main fabric. I thought it could be a big challenge having to do all the pattern matching, but in fact having the lines to keep me on track really helped.
Sewing the shoulder seams would have been easier if I’d fully unpicked the lining after using it as a toile. I did have to unpick it all eventually, otherwise the construction wouldn’t have worked. Pulling the whole thing right side out through the shoulder straps required some mental gymnastics, but was easy enough. I would need to think through the seams allowances better if I was doing it again, in terms of which way they lie and trimming them better before flipping it through, as they ended up being a little bulky, but that’s just how you learn, right!?
Inserting the zip was a similar story. I’ve only done a zip once before – on Pumpkins pencil case – and never an invisible zip. The first side went in fine. The second side took me a couple of attempts and then when I flipped it round I discovered it was twisted anyway, so I had to unpick that side again and reposition it before stitching again. Fortunately it went in right first time after that and I was very pleased with the pattern matching.
This was the point at which I fell over at rehearsal and sprained my wrist, so the dress rested for a week before I could get back to it. But with the show looming I had to push on. I basted the sides together and my wardrobe mistress kindly helped to check the fit and mark the hemline and it was fairly straightforward after that, just a little slow.
The hem was the bit that I procrastinate over the most I think. With everything having gone together so well up to that point, I really didn’t want to mess it up at the final hurdle. I pinned and repinned and basted and pressed and eventually took a deep breath before chopping off the excess length. I hand sewed the outer fashion fabric for a neater finish on the outside and machine stitched the lining.
I’m incredibly proud of the finished garment especially given it’s the first time I’ve made something like this, and to wear it onstage and pretend it’s a designer outfit is a fantastic feeling. I’m absolutely loving doing the show too. I got my nails done last week to help me get into character as well. So unlike me, but they complement the dress perfectly! Here’s to more successful sewing!